Marie Gautrot

(mezzo-soprano)

EDUCATION AND WORK
After studying literature at the University of Rouen and Art History at the Ecole du Louvre, Marie Gautrot joined the Paris Conservatoire. She has performed at Théâtre Impérial in Compiègne, Aix-en-Provence Festival, Opéra de Versailles, Opéra d’Avignon, Théâtre du Châtelet, Opéra de Rouen, Opéra de Lyon, Opéra National de Paris, Opéra de Marseille, Opéra de Metz, Opéra de Reims, Opéra de Monte-Carlo, Théâtre des Champs Elysées among others.

REPERTOIRE
Djamileh (Bizet’s “Djamileh”)
Carmen (Bizet’s “Carmen”)
Public Opinion (Offenbach’s “Orpheus in the Underworld”)
Nicklausse, Mother’s Voice (Offenbach’s “Les Contes d’Hoffmann”)
Cherubino (Mozart’s “Le nozze di Figaro”)
Ramiro (Mozart’s “La finta giardiniera”)
Dorabella (Mozart’s “Così fan tutte”)
Marie (Berlioz’ “L’enfance du Christ”)
Marguerite (Berlioz’ “La damnation de Faust”)
Amneris (Verdi’s “Aida”)
Maddalena, Giovanna (Verdi’s “Rigoletto”)
Emilia (Verdi’s “Otello”)
Azucena (Verdi’s “Il trovatore”)
Fenena (Verdi’s “Nabucco”)
Clairon (R. Strauss’ “Capriccio”)
Madame Larina (Tchaikovsky’s “Eugene Onegin”)
Count Orlovsky (Strauss’ “Die Fledermaus”)
Albine (Massenet’s “Thaïs”)
Mother (Franck’s “Hulda”)
Catarina (Bertin’s “Fausto”)
Nun (Gounod’s “La Nonne sanglante”)
Dalila (Saint-Saëns’ “Samson et Dalila”)
The Forester’s Wife (Janáček’s “The Cunning Little Vixen”)
Mother Jeanne (Poulenc’s “Dialogues des Carmelites”) 

She also has an extensive concert repertoire.