Alexia Voulgaridou

(soprano)

Alexia Voulgaridou, critically acclaimed for her dazzling performances, is a regular guest at the most prestigious European and American opera houses, concert halls, and music festivals. 

EDUCATION AND WORK
Alexia Voulgaridou began her musical studies in Athens and continued them at conservatory in Munich under the tutelage of Daphne Evangelatos, where she also participated in master classes with Astrid Varnay. She made her professional debut at the Prinzregententheater in Munich as Susanna in Mozart’s “Le nozze di Figaro” under the baton of Sir Colin Davis. In August 2021, she started her collaboration with the Welsh National Opera, starring as Cio-Cio-san in “Madama Butterfly” the production. She has also been a soloist with the Bavarian State Opera, La Scala in Milan, Bregenz Festival, Teatro Regio in Turin, Ravenna Festival, Grand Theatre du Capitole in Toulouse, Teatro Massimo Bellini in Catania, Deutsche Oper Berlin, Hamburg State Opera, Royal Opera, Covent Garden and worked with renowned conductors, such as Lorin Maazel, Gustavo Dudamel, Zubin Mehta, Sir Colin Davis, Riccardo Muti, Franz Welser-Möst among others.

REPERTOIRE
Susanna (Mozart’s “Le nozze di Figaro”) 
Pamina (Mozart’s “Die Zauberflöte”)
Sophie (Strauss’ “Der Rosenkavalier”)
Violetta (Verdi’s “La traviata”)
Lucrezia (Verdi’s “I due Foscari”)
Amelia (Verdi’s “Simon Boccanegra”)
Luisa Miller (Verdi’s “Luisa Miller”)
Desdemona (Verdi’s “Otello”)
Giovanna (Verdi’s “Giovanna d’Arco”)
Stella, Olympia, Antonia (Hoffmann’s “Les contes d’Hoffmann”) 
Marzelline (Beethoven’s “Fidelio”) 
Mimì (Puccini’s “La bohème”)
Cio-Cio-San (Puccini’s “Madama Butterfly”)
Liu (Puccini’s “Turandot”)
Tosca (Puccini’s “Tosca”)
Marguerite (Gounod’s “Faust”)
Juliette (Gounod’s “Romeo and Juliette”)
Anna Bolena (Donizetti’s “Anna Bolena”)
Nedda (Leoncavallo’s “I pagliacci”)
Santuzza (Leoncavallo’s “Cavalleria rusticana”)
Micaëlá (Bizet’s “Carmen”)
Blanche de la Force (Poulenc’s “Dialogues des Carmelites”)
Thaïs (Massenet’s “Thaïs”)
Fernand Cortez (Spontini’s “Amazily”)