Stephanie Roublot

Stephanie Roublot

(choreographer and stage director)

EDUCATION AND WORK
Stephanie Rublot trained with the regional Conservatory of Nancy (1988–1991), Conservatory of the Boulogne-Billancourt (1991–92), National Conservatory of Music and Dance of Paris (1992–96) and took an advanced training course at the Ballet National de Nancy (1996–97). She graduated from the Conservatory of Paris and was a principal dancer with the Bordeaux National Opera until 2018. She has also engaged with the Ballet National de Nancy. After finishing her dancing career in 2018, she became assistant to Charles Jude. Together they have staged “Suite en blanc” in Helsinki (2018), Swedish Royal Opera (2019), Montevideo Opera Theatre (2019) and the Toulouse Capitole (2019). In addition, she is the President Académie de danse Charles Jude association, the president of the O.R Studio association which aims to develop dance in all its forms, teacher and co-director of Jude Mikhalev Ballet Academy, member of Serge Lifar’s Foundation and various other dance organisations. 

REPERTOIRE
Choreographies by Charles Jude:
Aurora, the Lilac Fairy, Carabosse (Tchaikovsky’s “The Sleeping Beauty”)
Odette/Odile, “Spanish Dance”, Little Swan (Tchaikovsky’s “Swan Lake”)
“Arabian Dance” (Tchaikovsky’s “The Nutcracker”)
Giselle, Myrtha, Wili (Adam’s “Giselle”)
Quitteria, Mércedès (Minkus’ “Don Quixotte”)
Rosaline (Prokofiev’s “Romeo and Juliet”)

Other:
Pas de deux, “The Flute” (Lifar’s “Suite en blanc”)
Gran pas (Minkus’ “Paquita”)
Act 3 (Glazunov’s “Raymonda”)
Stravinsky’s “Petrushka” (chor. Mikhail Fokine)
Taylor’s “Aureole”
Desdemona (Limon’s “La Pavane du maure”)
The Miller (“The Tricorn”, chor. Léonide Massine)
The Siren (Balanchine’s “The Prodigal Son”)
The Great Nymph (Nijinsky’s “L’Apres midi d’une faune”)
Viha (Balanchine’i “Neli temperamenti”)
The Elected Virgin (Stravinsky’s “The Rite of Spring”, chor Léonide Massine)
The Little Girl (“Zatoïchi”, chor. Carlotta Ikéda)
Forsythe’s “In the Middle, Somewhat Elevated”
“Carmina Burana” and “Chopin Número Uno” (chor. Mauricio Wainrot)
“Pneuma” (chor. Carolyn Carlson)
Infanta (“The Dead Queen”, chor. Kader Belarbi)
The Wife of Antonio (“The Tempest”, chor. Mauricio Wainrot) among others.